"Entertainment Weekly" once called a "pathetic whiff of desperation about their need for one One will easily sell out the other for personal gain or gratification-not to mention what Outsiders (girlfriends, boyfriends, parents) do not seem to be allowed in the clique And the four leads were as selfish as any TV character had a Overwrought enthusiasm George's selfish, sometimes dishonest streak and Kramer's wacky yet Those eventsīrought the best of the worst among them-Jerry's neurotic need for perfection Elaine's sometimes Table at a Chinese restaurant looking for a car in a crowded shopping mall while carrying a roomĪir conditioner or even Jerry handing Elaine a Pez candy dispenser, which causes her to break upĭuring a recital featuring George's new girlfriend who was performing a piano solo. Instead, Seinfeld dealt with small situations such as the gang waiting for a Some criticsĬalled it "a show about nothing" because most episodes did not have a major plot point as so manyĬomedies do. Seinfeld began finding a rhythm and honing it. Seinfeld was the cornerstone of a night NBC now trumpeted as "Must-See TV" along withįriends and ER, and a slate of mediocre comedies that did well only because they aired after Friends or Seinfeld.) By the fall of 1993, Seinfeld inherited the coveted Cheers timeslot (Thursday nights at nine), and became the network's biggest hit. The move worked, as Seinfeld cracked the top ten. Slotted Seinfeld behind Cheers in midseason. The cast of NBC's only top-ten hit, Cheers, decided to end the show's run. The shows did not do all that well in the ratings,īut Seinfeld-the name was shortened to avoid confusion with a short-lived ABC seriesĬalled The Marshall Chronicles-began airing as a midseason replacement in January 1991.īy the 1992-93 season NBC was no longer at the top of the ratings. Ludwin actually took money from his ownĭepartment's budget to fund four more episodes. Ludwin, the network's senior vice president for specials. "too New York, too Jewish." Test audiences were split. Nearly passed on the show-the network's late entertainment president, Brandon Tartikoff called it Write the pilot of the show, which was originally called The Seinfeld Chronicles. The first season of the comedy Benson) got together with writer Larry David to create and Real-life comedian Seinfeld (whose first major TV role was a messenger boy on (Michael Richards) and childhood buddy George Costanza (Jason Alexander). Seinfeld, his former lover and friend Elaine Benes (Julia Louis-Dreyfuss), neighbor Cosmo Kramer That there's anything wrong with that"-these and other phrases came from the lips of comic Jerry "Soup Nazi" "Sponge-worthy" "Shrinkage" "Giddy-up" "Master of my domain" "Yada Yada" and "Not Seinfeld also created a vocabulary of its own. The show managed to get big laughs out of each one. In fact, the show delighted in poking fun at institutions usually considered "politicallyĬorrect": disabilities sexual practices religion bodily functions ethnicity and racism. ("No lessons, no hugging" was the rule of co-creator Larryĭavid). In its eight-year run, no one on Seinfeld learned from Seinfeld defined its decade much as I Love Lucy epitomized the 1950's and All In Thanks to a brilliant cast and top-notch writing (and a refusal to play by the rules), Probably the most influential and successful US situation comedy of the 1990's, Seinfeld began as a pilot about a standup comic who used his own life as the basis for his material.
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